Thursday, 22 August 2013

#ESPspotlight REVIEW: HYPER JAPAN 2013 - DAY TWO, EARLS COURT, 27 JULY


My second day at London's biggest J-Culture expo began with the Tokyo Fashion Story on the mainstage. Not performing this year, I did run into the lovely Beckii Cruel en route, a sure fire sign that when all was said and done, I was definitely in my favourite Japanese Wonderland. Back to the stage, where a runway show made up of entrants modelling their own styles of expression was underway; J-Pop star Yun*chi was invited to select her favourite from the bunch, before also crowning a 'Best Dressed' young audience member.

Her performance set followed, during which the pretty young starlet entertained a captive audience with a big dose of high energy Pop, tailor-made to crossover to (and chart well in), the UK market (I didn't understand a word, but I just can't get her catchy tunes out of my head). Whilst her Tokyo Fashion Story fans danced excitedly alongside the stage throughout, my personal favourite moment came in the shape of International track 'Waon' - a true Benetton meets World Peace, meets a 'We Are The World' moment for teen girls all over the globe.

J-pop star, Yun*chi
Yun*chi sang against a video backdrop of young girls who had submitted their favourite words for the project, the most popular of which were used to create a special fan collaboration with the idol. The moment in itself, was as empowering as the message of strength and beauty in every shape, race, and nationality that it promoted. So touching and genuine; the effort made by the singer and her backing singers from 27+ Countries wasn't even dimmed by the out of sync video playback throughout the song's duration. Disserviced, yes, but not dimmed.

Leg-stretching time, and my fave photog friend, Allie Suwanrumpha and I, decided refreshments were most definitely in order. Agreeing that it was only 'before noon' outside of the exhibition centre - thus making the Japanese Bar and Tea Station a completely acceptable breakpoint - off we set to whet our whistles. Adult thirst quenched, we headed to interview Yun*chi in the press room. No warning could have prepared us for what we both christened the funniest moment of the entire weekend - the outer door opening to reveal a sequin-covered rear-end, clad in a white catsuit, backing out of the room on all fours...Y'know; the usual sort of thing any unsuspecting visitor should expect to see! It turned out that the rear in question belonged to a member of visual arts group, SIRO-A, who had just finished their first of two daily press calls, in a headpiece too tall to be navigated from a standing position! The sight can't be described in words; I did capture the tail-end of the moment for you, but you'll have to head on over to the event's photo album at the end to see it!

Yun*chi's interview was a joint affair, with representatives from tabloid newspapers, Northern radio stations, and more in attendance. Friendly, open, and even cuter offstage than on, the J-Pop princess gave us all an endearing interview...




On a high from the encounter, but with no time to dwell; we headed back to the mainstage for a quick masterclass on cooking Japanese Curry with Chef Yuya Kickuchi. Not quite as entertaining as Chef Ikeda at the previous event; it would have been lovely to hear some engaging, anecdotal chatter, as we did from William Curley last year. This time around however, it was all business, which was unfortunate, as it gave the masterclass a distinctive rushed feel, seemingly through no fault of the chef's.

Not remotely comfortable, but in a perfect shooting position, it would have been crazy to let our spots go before the weekend highlight that almost all had been waiting for. The Cosplay Parade was up first; immediately followed by the European Cosplay Gathering and World Cosplay Summit. The sheer variety of styles and creativity was amazing. Mainly based on computer games, Anime and sci-fi/horror characters; the authenticity of the former two lost on the least interested gamer in all the wide world. I do know what I like though, and I know what catches my eye. Some of the costumes were absolutely awe-inspiring, and put a few lackadaisical, uninspiring repeaters to shame. Special kudos has to go to one aspiring entrant in a costume so elaborate, that he had to be helped onstage by staff. Unfortunately for him, as soon as they let go, the poor thing toppled over, and his Humpty-Dumptied costume went in too many directions to mention. Thankfully, the very kind HJ staff not only helped him back onto his feet and put his missing pieces back together again, but allowed him a second, winning go at the end of the lineup.


Alien-Looking Lobster Dude deserved his win!
Sayuki Geisha returned for her next Q&A session and performance next. The opportunity to catch up on the first half did not go to waste, although I was quite irritated by a silly woman (in age, girl in behaviour), who used the opportunity to try to embarrass Sayuki with a vastly inappropriate question. Our press appointment with visual artists SIRO-A meant we did not get to see how the incident played out, but I was quite disgusted on Sayuki's behalf.

Back in the press room, SIRO-A were a charming and hilarious 'Jack The Lad' bunch; these guys were definitely my favourite interview of the weekend, with many a joke off camera! Find a snippet here:




Cosplay Winner announcements at the mainstage were next, where we learned that most of the award recipients had gone home, much to my chagrin. Maybe it's just me; but unless you have a young entrant who needs to get home for bedtime - awards segments are usually the last mainstage event of the day - then I fail to understand why anyone would even bother to enter the competitions, if they don't intend to stay for the judge's decisions? For one thing, I find it highly unfair to those who obviously took the event more seriously by waiting, only to lose out to people who do not. By small consolation, a few of my favourites fared well, and are now busy preparing to go and represent our little Isle at both the European and Global show equivalents.

With only a matter of minutes before closing; I had just enough time to go and fawn over the Japanese Auto Extravaganza cars. A new addition to this year's floorshow; the three vehicles were supplied as tasters of what visitors to next month's auto carshow in Kettering can expect. Completely in love with this little orange number from the moment I laid eyes on it, I found it quite the beautiful distraction. A dribble away from being physically removed by a surly security guard, I took his subtle hint, and surrendered to the overnight separation, as the doors closed on Day Two...

Don't forget to check out the Day Two photo album on the ESP Facebook Page for visuals from performances and all of the Cosplay events.

The third and final instalment is on the way, so Stay Tuned!

ES ;)

Tuesday, 20 August 2013

#ESPspotlight REVIEW: '3 KINGS' (ALBUM), TGT


Reviewing the new TGT album '3 Kings' is something akin to coming full circle here on the 'ES in the P' blog. If you've been here since the very beginning, then you'll remember Mr Gibson selecting this (then) week-old forum as one of a select, global few to review 'Stay', his first music video in 5+ years, ahead of its official release. The song was taken from his GRAMMY-nominated album 'Open Invitation', which went on to garner him some of the biggest album sales of his entire career to date.

While busy filming the latest instalments from two of the biggest film franchises in recent years (Transformers 4, Fast & Furious 6), and promoting another New York Times Bestseller ('Manology' with Rev Run), it came as a surprise to this here onlooker, that he even had the time to head back into the studio to reprise the 2007 trio that had the heat and the following, but suffered a comatose blow; supposedly due to their individual label commitments. The world and his wife suspected that the R&B Supergroup failed due to ego issues between the three veterans, but were (thankfully) all silenced last September, when Tyrese officially announced they had reformed, signed to Atlantic Records, and their long-awaited joint album would be released in 10 months.

FAST FORWARD to today, a small push back later, and 3 Kings is already reigning supreme above the competition; topping the charts in 4 Countries before breakfast. Aspiring to do what so many promise, yet so few achieve; the project is intended to return the once great genre to its glory days, when the throne was ruled by 4 Kings, collectively known as Jodeci. Taster single, 'Sex Never Felt Better', was supposedly the warning shot; fired off to signal what was to come. Considering how persuasively that middle King was about saddling my little Pony; the track did little to make me 'giddy up'. Thankfully, it wasn't the best representation. Their recent online listening party was a saving grace; whetting every appetite for the 17-track sex-bomb, which features a ridonculously huge credit list (Tim & Bob, Mikey Jay, Brandon Alexander, Lonnie Burrell), worthy of 3 massive names in the R&B monarchy...



Maybe the content threw my numerical ability off, but I only counted a rundown of 10 tracks instead of the full list as advertised, and as a result you, my lovely readers, were not going to receive this review on that alone. Now that the whole project is available, here's what you really need to know...

Take It Wrong is the sledgehammer opener that, had it come instead of 'Sex...' would have seen MUCH bigger hype on this here page in the album's promotional lead up. The balance is split to perfection, with no King encroaching on another's territory. Ginuwine's chorus, is a smooth and sexy trumpet announcing the Royal Arrival, and Tyrese's rap alter ego 'Black-Ty' adds a break that ensures the combined vocals are not overcooked. Tank's soft vocals keeps things fluid and seductive, leaving no room for confusion of any kind. Ladies, you can only take this 3 Kinds of Right.

No Fun is actually my least favourite track of the bunch, purely because I find the premise insulting. Odes to Homies and brotherhood are all well and good, but I find it hard to imagine any (self-respecting) lady wouldn't have a problem with the idea of being passed around for each member to 'have a go' on. Last I checked, the 'Puff, Puff, Pass' rule was not invented in relation to the female body. It's not nice and so I choose to pass on what could have been a nice follow up to such a strong opener.

The earlier passed on Sex Never Felt Better makes a surprisingly welcome return. In context with the rest of the album, the Tank-written track is far more enjoyable than as a standalone offering. Dressed up this attractively - they've even got a touch of DeVante-esque autotune up in there - you can hear, understand, and even see the Jodeci comparison in the video. Mission accomplished.




Second single I Need follows. The first to refer to life outside the bedroom, is an apology to their wronged ladies. Don't get it twisted, the content might take you out of, but the effect is designed to land you right back in. A beautiful ballad, this one picks you up and drops you right back in a decade where those who can remember, know what was really good.




Next Time Around could be described as a continuation of I Need - if it wasn't better. Having failed to get 'The Girl' back, it's a humble admission of wrongdoing, an acceptance of shortcomings, and a commitment to future intentions, that gets you well and truly lost in the moment.

The first Interlude is a Jodeci 'The Show, The After Party' moment, that perfectly sets the scene for another sexy standout track. Hurry gets infinite stars, because 5 just isn't enough. Definitely a contender for track of the album; in case the premise isn't obvious, it's a 'don't keep us waiting' number too steamy for further, non-adult explanation. Or wait, that could just be the reaction it incites...either way, you get the idea...

Weekend Love is the soundtrack to a dirty weekend - at least that's your intention by Ginuwine's opening verse. Tyrese does what we originally know and love him for with that bridge; utter. gravelly destruction of all ladylike reservations. I believe the official term for a track of this nature is 'Pantydropper'? You decide.

Lessons In Love is a map of vocal assaults as strategic as a 'How To' lesson plan. Tank is soft and seductive, using that upper register as a lethal weapon from note 1. Tyrese adds a dose of 'just rough enough to get you ready'; and Ginuwine laces the third section with an urgency that will send your appetite to the edge of frenzy. You poor victims, you.

The next Interlude is intended as a linguistic aphrodisiac that serves no other purpose than to define what Tyrese labels a "leave it in" track. No explanation is really necessary, as Explode doesn't need the help. You cannot be within hearing distance and not be a casualty of the blast zone.

Despite its questionable title, FYH is another hard-hitting ballad. A last-ditch attempt at reigniting the passion in a flailing relationship; the fellas promise their best bedroom work, the weight of which, will fix what's broken. Far from a weak effort, it's also not the album's best offering by a longshot.


OMG is an anthem for the fornicators (Tyrese's description, see the online listening session above). All about love so good you take our Creator's name in vain, it takes you back to the days of making mixtapes on cassette...Damn, I hate showing my age.

Running Back is about the pain of a lost love so unforgettable, that you simply cannot live without it. Another textbook success, this is definitely one of those 'lie back and stare at the ceiling, replaying the good times on your mental projector' type ballads.

Burn Out is another contender for Track of the Album. This has a touch of what you imagine would happen if you mixed the original H-Town lineup with a dash of Whitehead Bros. There are even a few moments where my imagination had me hearing strains of MJ's 'Lady In My Life' in the composition's foundation. If you remind me of one of my all-time MJ favourites, then understand you have just about reached the pinnacle of my praise - a summit few come into contact with. Ever. It's not single material, it's better falling strongly into that category of 'Album's Best'.

By Tearing It Down, there's no confusion over the album's theme, so you know exactly what this one is all about. Another prime cut, this is 4 minutes and 22 seconds of audible good good.

Final track Our House is a 2nd album, Boyz II Men-type offering. Picture them with the sex appeal they never had, apply a theme full of 'ride off into the sunset, not just about sex, in it for the longhaul' love, and you have a recipe that ensures the ensemble project finishes strong.

Overall pangs of Guy, BLACKStreet, New Edition, Jodeci, H-Town, Whitehead Bros., Boyz II Men, Silk, Shai, Tony Toni Tone, and just about every other good 80s-90s male group, have influenced these 3 Kings; making sure Tyrese, Ginuwine and Tank deliver on their promise to take RnB back to the days when music came first. An album full of ballads obviously doesn't include the New Jack Swing elements, so please don't mistakenly throw it on to help you wake up in the morning, unless you're not waking up alone, in which case, it's perfect!

3 Kings is borderline infallible, because it offers up the best of 3 vocal powerhouses, who could not have pulled off this calibre individually - not even my beloved Ginuwine. A 'best of the best', I can't imagine it sweeping the GRAMMY boards as a whole, purely because it celebrates a standard so long lost, that today's music-buying masses may not recognise just how exemplary it really is. But, tied with the massive tour that touches down in London Town on October 17 with some more Royalty; it most definitely will do a lot for the genre, and I'm pretty sure there are some inevitable single classics in there.




Keep up to date with all things TGT via their Social Media Catalogue:



Let me know your thoughts on the album and my take on it in your spotlight below...

Until the next!
ES ;)

Sunday, 18 August 2013

#ESPspotlight REVIEW: HYPER JAPAN - DAY ONE, EARLS COURT TWO, 26 JULY




Bang, Whoosh, BLUR.


That, effectively sums up my most recent Hyper Japan experience. London's biggest J-Culture event returned to Earls Court two weekends ago, with promises of being bigger and better than ever before.


Pigtails were required for Day One's 'Preppy' ensemble theme...
The extremely hardworking team made good on the first, moving the expo from it's home to date - Earls Court One to its larger sibling next door. Unfortunately, the basic lay of the land is exactly what prevented the second from coming to pass. 

Keeping a keen eye on the event's Facebook Page whilst en route; I was surprised and concerned to see some negative comments from visitors, complaining of disorganised queue management. On arrival at Earls Court Two, I got a glimpse of exactly what those complaints referred to, as upset (and understandably angry) attendees began leaving the extremely long lines they had no hope of reaching the front of before closing. Thankfully, a press pass does a girl good, sparing me the same fate.

My third visit to Hyper Japan, I've been looking forward to immersing myself in a culture that has completely captivated me, since my first encounter over the eighteen plus months ago. One of the rare times I run the risk of forgetting my vocation, part of the allure was stepping through doors to another world, that plays Wonderland to my Alice. The previous productions were instantly electric; they had an all-encompassing vivacity that you couldn't help but be swept away by. When the 'magic' didn't happen on that first day, I put it down to my disorientation in the new surroundings. Dismissing the feeling immediately, I rallied for my usual favourite part of the 3-day event - the live shows. Seeing Australian-born Sayuki and her Geishas perform on the main stage, meant cutting across the huge misuse of space, separating the exhibition stands by partition - only to find myself in a second, identical expanse on the other side.

Instead of excitement for what I was there to see, I was distracted by the more immediate confusion of why the audience surrounding the tight stage were so tightly roped in that they were overflowing? That thought was followed by why so little seating, or even standing room, was provided, when the room was obviously available to accommodate the extra bodies? I would soon learn that these were common complaints throughout the long weekend, which would be the cause of much animosity between visitors and external press, even causing a borderline altercation at one point. Almost fighting through the throng myself; I learned too late that no press area had been designated this time around, and scooching beneath the barrier to sit on the floor at the front of the stage, was no longer accepted - the space was now reserved for the event's official press only, to utilise. After being moved twice, I managed to find a temporary home for long enough to take in what remained of the Geishas' performances.


Sayuki
Even more fascinating, was the story of how someone from 'Down Under', managed to gain access into a 400-year-old culture that is still a mystery to the Western world, even to this very day. Deciding to continue the lifestyle after studying with the Asakusa Geisha Association for a year; Sayuki - who graduated in Anthropology from Oxford - was conducting research for a documentary, when she asked the Association for permission to remain within their trusted fold, and explore the esoteric way of life. Extending her studies and training for an additional four years; she decided to set up shop on her own, opening her own Geisha school to train others, and prevent the skilful and talented artform from dying out completely.

The fruits of her labours were evident in the ladies she travelled and performed with. Dressed in beautiful kimonos, each performed traditional songs and dances to Sayuki's yokobue (Japanese flute) accompaniment. Wonderfully engaging, I made an immediate decision to catch at least one more of their daily performances, so I could give their full story the respectful attention it deserved.


Sayuki (far right) accompanied the Geisha dancers throughout


Once finished, getting my bearings and learning where all the zones were located before closing seemed like a good idea, so off I set in discovery. Chancing across the Japan Centre filled with goodies had that 'kid in a sweet shop' effect on me; and there I stayed, sampling *ahem* snapping...away, until the speakers announced the doors would shortly close, marking the end of Day One...

For more photos from Day One, including the performance by Sayuki and the Geishas, visit the event photo album on the ESP Facebook Page.

The second instalment is coming up - Stay Tuned!
ES ;)

Friday, 16 August 2013

#UPCOMINGEVENT: JAPANESE AUTO EXTRAVAGANZA, WICKSTEED PARK, KETTERING, 12-15 SEPTEMBER


I tell you, you miss all the good stuff if you're not connecting with ESP via social media, y'know.

At the recent Hyper Japan expo, I was introduced to John Fuggles, Sales Director for JAE - better known as Japanese Auto Extravaganza. The brand were showing at the event for the first time, where I learned of their upcoming car show in Kettering, from the 12-15 September. Find out more straight from JAE:

'JAE is the ultimate social weekend for Japanese car owners, Japanese car clubs, tuners and traders. It is the perfect place for like-minded owners and traders to meet up and enjoy what is the popular Japanese car culture, it has been previously quoted as “the perfect way to do business”.

With everything from 60′s (and earlier) classic / retro machines to the latest electronically controlled supercars, the show WILL have something for everyone throughout the weekend!

There is camping for the hardcore weekenders amongst us which is a very popular option with families as well as clubs and makes the whole event! Public car parking for the day trippers is also available.

If you are new to the event or want to chat with us, please use the Facebook page.


JAE is unlike any other Japanese show you have been to. Described by Japanese Performance as “The biggest and best club event of the year ….. there’s just something special about JAE”.

Now in its 18th year, JAE continues to be the favourite event for the Japanese car scene. Banzai have said “It’s the kind of weekend people hold out for, even altering holidays to attend”'

With all that said, now seems like as good a time as any to check out the event details for yourself, don't you think? 

Happy Friday to One and All!
ES ;)

Thursday, 15 August 2013

#ESPNews: Louche London AW13 Lookbook


If you're following all things ESP on Social Media (as you should be), then you will know that I attended #Pure34 at London Olympia last week (the review for which, is on the way...). Whilst I was there, I came across many an interesting brand, including the nice Ladies of Louche, whose label I was a big fan of.

They very kindly sent me over their #AW13 lookbook a short while ago, full of stylish collections that I'm quite keen to share with you...

Enjoy!

If you like what you see, be sure to head on over to the Louche London website; 'Like' Louche on Facebook or, connect with them via Twitter - whichever method you prefer, so long as you don't forget to tell them who introduced you)!

Let me know what you like via your favourite stage - the Comment Box below...

Happy shopping!
ES ;)

#ESPspotlight REVIEW: FRESH LACES AT HARVEY NICHOLS, 20 JULY


You might recall I was quite impressed by the first Fresh Laces Sneaker and Lifestyle Fair that I attended at the Dray Walk Gallery, off Brick Lane back in May. It was an enlightening view into an unfamiliar world, and a good chance to see what the 'Sneakerhead Phenomenon' was all about.

Imagine my surprise then, when a matter of weeks later, an invitation to the next fair arrives in my inbox, set to be held in none other than swish and swanky Harvey Nick's; where the Fresh Laces team would be taking over almost the entire Lower Ground Floor of Menswear! Having met co-founders Nathan Massiah and Louis Daniel at the last event, and had a few brief conversations since, I was genuinely excited to see what the friendly, entrepreneurial pair had planned this time around. Kensington-bound a few balmy Saturday's back; it didn't take long for me to realise that compared with what I thought these events were all about after my first visit, this here, was an entirely different kettle of fish...


Co-Founders Llwelyn Daniel and Nathan Massiah with the one and only
JadaKISS. Photo courtesy of Fresh Laces
Keeping a close eye on the brand's social media as I made my way South West; my first shock of the day came, when I saw some excited status updates that sent me to the Fresh Laces Instagram account. All became clear, as I saw the cucumber cool two, plus multi-platinum selling, The LOX Rapper, JadaKISS, make an ice cold three...

The sheer force of my will gave my wings more speed than any can of Red Bull, enabling my arrival less than 10 minutes later (that's my story and I'm sticking to it). Alas, my Yonkers, NY-native had left the building, leaving me to greet my hosts, and lament over the heartbroken injustice of my Sliding Doors moment. Thankfully, the sight of a very charming and gracious Kano cheered me up just enough to slap on a smile and take a pic; followed swiftly by Professor Green. Also in attendance throughout the day, were the Uber-stylish Henry Holland, Aluna George and Charlie Sloth.

Available from MrSneaker.com
Once the excitement of celeb-spotting died down, I had the chance to take in my surroundings and make my way around the stands to a DJ Manny Norte soundtrack. Recognising a few of the brands from Brick Lane, including the custom, Fresh Laces mural by LA graffiti artist Mute One; it was a real pleasure to talk with some of the exhibitors in-depth on what they do, and what their brands are all about...as well as get literally schooled on this 'Sneakerhead life' that I realised, more than ever, I knew absolutely nothing about. The education was a serious one, and whilst I'll always covet more Fendi than Fila; my talks with some of the sellers better helped me to understand why the term 'Sneakerhead' is rightly, and justifiably referred to as a 'Cultural' way of life.

In addition to two ping pong tables provided by sponsors from food and drink bar Ping! Live entertainment came in the form of beatbox sets from The Bass 6, Alyusha and MC Zani (the latter having recently returned from touring with Jay Sean). After three sets from the trio throughout the afternoon, the live 'Scratch Competition' between them and the very talented and approachable DJs The Dixon Brothers of Kiss FM fame, ensured the ante was well and truly upped - M.O.P style, with Laces Freshed.




In addition to the Dixon Brothers, who followed the hilarious Manny Norte, was Lloyd Nwagboso. Each kept the energy high, and contagious with everything from hot and current chart toppers, to Old School Hip Hop, to touches of House, from Mr Nwagboso as I headed out the door, still buzzing from the day's excitement.

With the next event already in the planning, one can only imagine what this lot have got up the sleeves of their brand new 'FL' pocket tees. If you keep a close eye on their social media though, you'll have a good idea of who they're planning to collaborate with in the near future...

Groundbreaking. History-making. And well worthy of one heck of a lot of praise.




Fresh Laces are clearly destined for even greater things before the year's end. I suggest you start paying attention to this lot from now; quite frankly, the way things are looking, soon you're not going to have much in the way of choice anyway - this is what you call, A Takeover...




Connect with Fresh Laces:



For a look at each brand and what they had on offer, visit the event photo album on the ESP Facebook Page or, just plain share your thoughts in the Comments Box below.

TTFN...
ES ;)

Wednesday, 14 August 2013

#ESPspotlight REVIEW: 'BETWEEN TWO EVILS', AUBREY O'DAY


We all have our guilty pleasures in life. Reality TV is one shared by many, and I know I'm not alone in claiming MTV's Making The Band as one of mine. Resident 'Bad Girl', Aubrey O'Day fascinated me from Day One, and I still feel she got the raw end of the deal when Sean 'I can't work with women long term' Combs, sacked her without warning in front of the cameras.

Fast Forward a few years. An infamous Celebrity Apprentice stint,  a Playboy spread, a few personal scandals, and a solo reality show later; Ms O'Day's time to shine for her musical talents is finally here, in the shape of 'Between Two Evils' - her new 9-track EP, sans label. 

A mixture of RnB-tinged Pop ballads and Club Dance tracks; overall BTE is a fairly good body of work. Some moments do balance precariously on the border between Versatility and just plain Confusion - a residual character flaw from her days with Danity Kane. BUT, on the plus side, her vocals silence the naysayers (*ahem* Diddy / Arsenio Hall *ahem*), who were only too willing to cast her as the least able singer of the bunch on more occasions than one. There are more than a few instances of 'Say what, Say who now?!' when it comes to her lyrical display, but generally, you do forgive her for trying (once you get the overall gist).

BTE opens with 'DJT'; an all-too-familiar break up phonecall with a very weak-sounding manchild. You're in her corner, until she starts getting a tad too whiny, then lose a bit of respect for her, the more she begs and pleads for his declaration of love.

'Unchoose You' redeems her considerably - mainly because it is the best track on the EP, by far. I'm not convinced the 'Full' (Interlude) from Janet Jackson's 'Velvet Rope' really brought anything to the final product but otherwise, the vocals are great, and she communicates her pain believably enough to have you speculating over who the down low celeb romance was, that reportedly inspired this entire project...

Negatives come in the form of tracks like 'Love Me When You Leave' - a David Guetta / Eric Prydz-esque track made for the Summer Isles. Since this here music lover isn't a fan of (can't stand) the genre in the slightest, the track earns no points over here. It goes on so painfully long, that I was in utter shock to see 4:16 on the timer - exactly the same duration as the previous delectable 'Unchoose You'; yet it felt like it went on for a painful extra 3(0) minutes at least...

'Let Me Lay' and 'Hurts So Good' are only a marginal improvement. Still annoyingly 'Dancey', but it's actually her vocals that stop my ears from bleeding. The lyrics on the latter remain in that Cons list - Thank the Heavens above she at least sounds good.

'Before I Drown' is a relief-filled shining moment, that I can just imagine getting picked up for TV and Film soundtracks. A massive, almost Pop-Rock power ballad; our favourite Madam outdoes herself - vocally, lyrically, all-round. It's a job well done, with echoes of 'Signature Hit' throughout. A+.



'Second Call' is a sexy ode to a missed lover that does exactly what Aubrey has always needed: keeps the focus on her talent, first and foremost.

'Devil & Me' continues in the same vein, only in this instance, she loses herself in those 3am reflections; unable to escape her personal flaws and shortcomings. It's raw, honest and returns a credibility often lost in the extraneous hype that surrounds her media persona.

The 'Outro' ties up the whole body of work nice and bondage-like, a la the EP cover, with the admission that her own inner demons play a massive part in how she ends up in some of the situations we've witnessed, since her rise to fame. In short, by the closing track, this Miss demonstrates growth.

It's a wonderful thing, to see that this hugely talented young lady hasn't given up. Besting Daft Punk, Robin Thicke, Justin Timberlake and more on her first day on the iTunes chart, it's clear to see that there is a place in music for Aubrey O'Day. Label backing or not, she has proved herself every bit the definition of a true Bad Girl.

Tuesday, 13 August 2013

#ESPspotlight: Who's REALLY got #Control? Take Note From Kendrick Lamar...AFTER You Learn From Big Sean


Well now. Unless you've been under a rock, in a coma, camping in a desert, on safari, or plagued by any other justifiable circumstance that served to remove you from Social Media today; then you will know that the websphere is alight, in a battle for #Control.

No, for those meeting any of the above criterion - I am not referring to the 1980s, Miss Jackson if ya Nasty, cult classic. I'm talking about the track that Hip Hop MC Big Sean released online earlier today; but it's not even Mr Sean I'm talking about....or is it? Hands up who's waiting patiently for the topic of discussion?

For those still painfully unaware - I'm referring to one Kendrick Lamar, guesting on #Control, and that ONE verse that literally set the music world on fire. Listen here for yourselves if you haven't caught it yet (but please beware, the track does contain language unsuitable for young children, or the easily offended):



Close your shocked mouths now; it's Summertime, those flying bugs are out in abundance. For those who prefer to skim the premise, whilst there was much more to choke over, bar a few uppercuts, here are the solar plexus blows that really matter:

"I'm usually homeboys with the same n****s I'm rhyming wit'/
But this is hip-hop and them n****s should know what time it is
And that goes for Jermaine Cole, Big KRIT, Wale/
Pusha T, Meek Mill, A$AP Rocky, Drake
Big Sean, Jay Electron', Tyler, Mac Miller/
I got love for you all but I'm tryna murder you n****s
Tryna make sure your core fans never heard of you n****s/
They dont wanna hear not one more noun or verb from you n****s"

I don't think I need to focus too much on the controversy surrounding this, it's a massive talking point that is being done to death on every other net forum, with the biggest question being, who's really got what it takes to spar (and WIN) on a verse that literally annihilates some of the biggest names in Nu Skool Rap (I call them that because let's face it, this doesn't call the Jiggas, Nastradamuses, Erick Sermons or Rakims into battle, now does it)?


What I do want to talk about is the sheer Marketing GENIUS surrounding it's release. That's something that I personally, have yet to see covered, so let's discuss it, shall we?


Within an hour of Big Sean's new album, 'Hall Of Fame' being made available for pre-order, the California-native casually tweeted about a track that didn't make the album, supposedly because of issues surrounding the 'sample clearance'...





In all the melee surrounding the content, it's hardly surprising that the mechanics of the release are the last thing on anyone's mind; but for those looking to make waves as a new artist in the music industry, look a little more closely and take note:

Whilst Big Sean is the 'Leader of this Pack', it's Kendrick's explosive verse that has held court on the Twittersphere since the track's debut - all of the attention is on him. Charitable as that may be, it's not something any Artist would willingly contribute to on their own album...without good reason.


The track was released exactly 14 days prior to that new album; thus giving the initial heat enough time to die down, but not distancing it so much, that interested parties are likely to forget the connection.


'Control' is dominating mainstream, as well as Hip Hop media, but the track links are not anywhere to be found across Big Sean's social media; not even his own website. Instead, all conduits take you to his iTunes pre-order link, or past solo works. In other words, ALL Sean, ALL the time - no sharing the spotlight. Rather odd for a firecracker dominating the wires right now, wouldn't you say? The link can however, be found on Kendrick Lamar's Facebook page (as of a few hours ago).


In fact, all in all, what Big Sean has effectively done, is dropped a time bomb, and retreated to a bunker for cover, allowing everyone and their brother to become victims of the shrapnel. Notice that of all those who have publicly acknowledged the challenge, not one has referenced Sean, with regards to retaliation.  Instead, almost all have confirmed they are gearing up for battle, even some who were not called upon:



Image courtesy of Superr Dave

Meanwhile, Hip Hop fan or Country & Western crooner - if you followed today's entertainment media, then you know Kendrick Lamar took on practically the entire Rap World. But you also learned of a Rapper called Big Sean. You know you can get a taste of what he's all about on this new track #Control. You know that a lot of people are talking about him but, you know that if the whole thing goes pear-shaped and a negative outcome is the result; then you won't scold him with the Stink Stick - after all, it was Kendrick who set the cat amongst the pigeons.

Most important of all, you know that Big Sean has an album coming on 27 August; that you can pre-order it as of today, and that a game-changing movement is on the verge of happening. The biggest furore to occur since that other BIG, and Tupac scandal - wait a minute; didn't he call himself a Makaveli? Just as Kendrick referred to himself as "Makaveli's offspring" in this here song? Well, isn't this full circle worthy of the Hip Hop #HallOfFame...See what I did there?!

What's your take? Do you think Big Sean used Kendrick as a promotional pawn in the run up to #HallOfFame's release, or do you think the whole situation was just an opportunity to outshine Big Sean on his own track, a la Jay Z and his 'Detroit friend' on 'Renegade' back in 2001? The floor is yours - Say Something good to me below...


ES ;)