Hi Folx! It's been forever and a day since I snuck through here to pay a visit; let me just blow the dust off as I park here a second and fill you in on what's been going on around here, Craig David style... Firstly, I owe you all the biggest of apologies for just dropping out without a wordbut, there was a reason, which I am sureyou have been dying to hear 🤣! The reason for the bramble bush blowing around here is that Yours Truly is writing a book! I am penning an autobiography, told from the perspective of a fictional character. It's called 'A Character's Life', and I am 16.5 out of 21 chapters and an epilogue, deep. I found that it really became impossible to keep up with my posts here and get any work done on the book, due to my physical conditions, so one had to give, even if only for a short (long) while. What that means is, please do not write me off, I am not done here by any stretch of the imagination; I simply cannot manage both projects with my health in this condition and worsening. If you would like a snippet of what to expect from my forthcoming memoir, then please check out my Facebook Page (where I am very active for those who want a bit of action - steady on, I didn't mean thatand you know it!). There you will find some pieces that I admit there should be more of by now; but if we consider based on the ethos of quality over quantity, then I hope that you will be pleased! Find me there most days, alongside my standalone chapter from 'A Character's Life', entitled: 'Shake, Shake, Shake!'
I certainly hope you'll enjoy, and be kind enough to leave a comment on the page after you've read it (neither a share here or there nor a page like would go amiss, either)! Whilst you're there, why not take a few moments to peruse some of the other work - like my latest short story, 'The Lovers' for instance? Based on a true story, the composition is a tribute to someone very special that I knew, once upon a time...
Whilst blogging is truly a passion of mine, and I miss speaking to you all regularly; I also wanted to expand on the definition of the type of writer that I want to be. Not one known only for writing the occasionally entertaining blog post (although I strive for always), but one whois also known for the depth of her creative writing as well. So until the next post, which I will drop in to provide you with from time to time before those 5.5 chapters are completed; I wish you well, I wish you love, and I wish you happiness. Until the next... ES -x-
I have long admired the works of the uber-talented Imogen Belfield. In addition to one of a kind designs, Belfield's work inspires an attitude that, if you're not prepared to exude, then you frankly have no business wearing. She's tough, she's sassy, and absolutelyno pushover. You get all that from looking at just one piece of her creations; but, not to be ignored, Belfield's designs make you believe that the jewels are a kind and beautifullight that shines from within. Anyone who's seen this lady's smile will know what I'm talking about.
Here, she tells us about her work, and how she infuses it with a genius recognised by some of the world's biggest stars. Read on...
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1. Your designs are not for the faint-hearted. Where does your vision come from, do you have a muse?
The Stunning Imogen Belfield
The work stems from my background in fine art and sculpture. Working directly in 3d materials. This is my first love, creating objects with my hands. I adore the artists St. Vincent and Bowie.
2. You went through extensive training, but your designs are so complicated - how did you learn to bring your vision to life?
It started with some short silver-smithing courses near Brighton. From there I went to Falmouth art school and completed an art foundation. It was there that I really got to play with metal on a large scale, which then transcended into my degree work at The Cass in London. When graduating I knew I wanted to build a commercially successful business. So I had to adapt my avant-garde work and transform them into wearable and functional objects to adorn the body, without losing their abstract flare.
3. Remembering the first celebrity to wear your designs, how did it come about, and how did you feel?
It was the super 5 supermodels! All in one amazing photo shoot for Harper’s Bazaar and following film with Duran Duran. Naomi Campbell, Cindy Crawford, Eva Herzigova, Yasmin le Bon and Helena Christensen all wore my jewellery for that particular campaign. That was utterly amazing!
4. You have brand Ambassadors - what functions do they perform, and what message do you want them to convey?
They choose to wear the pieces because they genuinely feel an affinity to them. It is always great to have endorsement from such iconic artists. That’s a great feeling.
5. Which is your favourite piece and why?
The ‘Goddess’ Choker in 18 Karat gold and diamonds. It took months to complete, and was a work in progress. It challenged me technically, which is always healthy, as it takes me out of my comfort zone, and continues to allow me to push the boundaries in art and design.
Imogen's 'Goddess' Necklace
6. Which has been your hardest piece to create and why?
The ‘Goddess’ Choker Necklace. Only one of these has ever been made. Each component has been meticulously carved in gold and created by hand. Every element to this design is bespoke, including the hinges and chain components.
7. You have won a plethora of awards - which one is most special and why?
They are all special in their own ways. The last award was a huge deal for me, winning the ‘Best In Gold’ award at the Couture Design Awards for the ‘Goddess’ Necklace! That was a very special evening.
8. What one piece of your education do you bear in mind everyday and why?
Go with your gut instinct.
9. What inspired you to become a designer?
An innate love for art and fashion.
10. What one piece of advice would you give an aspiring designer, who doesn't know how to get into the industry?
Take every opportunity you can. Map out a business plan with your 1,2 and 5 year goals. Projecting ambition in this way is a great way of making your dreams a reality.
A photo posted by Imogen Belfield (@imogenbelfield) on
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A humongousthanks to Imogen for taking the time out of her hectic (and I do mean hectic) schedule to answer a few questions for us. I don't know about you, but I learned some information that I've been dying to find out for some time now! How about you? Do you have any questions for Imogen? Did her answers raise any questions in your mind? Feel free to share them on YOUR stage below - we want to know!
I hope you enjoyed reading this brand new feature as much as I did writing it. That's all for this week though - meet me back here next week for an introduction to my next Featured Artist.
When my Carer and I first arrived at Kensington Olympia, I was enthralled by all the glistening beauty surrounding me. Sparkling in every direction, it was hard to pick which way to go when all looked so inviting. Remembering my manners, I was intent on finding my kind host, the lovely Suzanna Hammond of Hammond PR, but there was only 10 minutes to go before the second catwalk of the day took place, and I was keen not to miss it. Vowing to find my kind host straight afterward, we were a literal blur amongst the aisles as we searched for the stage. Managing to find it just as the show began, I got some quick help with setting the camera up as my osteoarthritic hands chose the occasion to begin seizing and making life difficult.
I managed to find an angle in which to hold the camera that would at least allow me to press the shutter button if nothing else. Focusing on holding the camera steady (no pun intended), I watched what seemed like a breathtaking catwalk routine through my viewfinder. Led by a male model that was positively delectable, a swarm of ladies paraded around him in trinkets and baubles that I could swear made my jewellery boxes cry out in wronged pain all the way from home. The wardrobe the ladies sported was as sharp as the diamonds they wore, that I'm sure could have cut glass - and that was just the crease in a well-tailored trouser leg.
The Alpha and my competition - darn their size 6 waists...
Entertaining and well-choreographed, you could get lost in reveries of what it would be like to own some of the luxurious pieces on show. The bridal portion was a childhood dream of dress up, come to life. Diamonds, gold, platinum and pearls draped upon the ears, necks, chests, and wrists of the four female models, all cooing around the distinctly alpha male. At its sophisticated end, I kept my vow and began making my way to the Press Office. Noticing a woman with a makeup bag flitting around in a hurry, I recognised the show's makeup assistant, and cornered her on her travels. Offering to find the chief makeup artist for me instead, I agreed to wait whilst she went and located her for a brief, impromptu chat.
I met the lovely Shari, Head of Hair and Makeup at the show and asked her a few quick questions:
How were you able to come up with the inspiration for hair and makeup that matched each look within the show?
"Well I wanted something that was elegant, and expensive looking, but that would also last well with all of the constant changes; that would also be quite feminine, but with a little bit of edge."
How did you get the looks together when they came to your mind's eye?
One of the stunning catwalk models
"In my mind I wanted it to look quite Parisian; you know that wonderful femininity, and elegance that you see on the Paris streets. That lovely kind of clean hairline, but with a slight edge; so the plaits are quite textured, and quite knotted, so I thought that gave it more of a fashion edge, but nice and clean."
Is this your typical type of show? What sort of look do you put together when you're working with models everyday?
"I think I'm quite lucky because every job I do is quite different; I do an equal amount of advertising, tv shows, fashion shoots, and fashion shows - everything is different, it all depends who the client is. The understanding of what the client needs is also quite important. I've actually designed London Edge at the same time, so I've got a team over there now, and that look is very sort of, big quiffs, and slick sides, with long, slick straight bits. So that look is sort of younger, and much more 'fashiony'. So it's just about chatting to the client really, and seeing what they want."
Which do you feel plays to your strengths more - is this sort of event not more restrictive in what you're able to play around with usually?
"I think because of the nature of the show, I can't push it as much, it does have to be a bit more feminine, and sleeker; I couldn't get away with the frizz, and the bolder colours which is a bit more for the teenage crowd, it does have to be a bit more classic. But I just love doing everything, so it's nice that I can do that over there and do this here."
What's your next job?
"I'm at ITV's This Morning tomorrow, then I'm doing a commercial next week, and I'm doing a shoot in Berlin this weekend, so nice and busy!"
After kindly thanking Shari for her time, and giving her my information, I got back to my plan and made my way to the Press Office, but not without being sidetracked by some astounding beauty along the way. R.M. Shah made my eyes shinelike beacons over their raw stones, particularly as Mrs Shah was nice enough to explain the mining and polishing process to me.
The Shahs Shiny Pretty Things...
Ilona Biggins was next; her necklaces were absolutely stunning, and I wantedeverything, in duplicate. Feeling like Dorothy on the way to the literal Emerald City, I refused to be deterred by any more poppies. Spotting the sign for the lift, I kept my eyes glued to it, and powered my wheelchair at full speed in its direction.
Ilona Biggins and her Stones of Wonder...
Ever the gracious, welcoming hosts, I met Suzanna and her colleague Jennifer Hall-Thompson as I arrived at the door. I musttake this opportunity to let you know that throughout my entire hiatus over the past few years, Suzanna and Jennifer were theonlyones to keep in touch with me and find out how I was doing. For that I am eternally grateful and indebted for their kindness. Hence my determination to make the final day of the event at least, despite how rough I was feeling. Recognising me instantly without so much as the usual blink that I have received by every former colleague or contact that I have met who knew me before I got sicker; they welcomed me with kind, open arms, and took the time out of their busy schedules to check in with me and find out how I'vereallybeen. Their sweet, welcomingkindness will neverbe forgotten.
Venturing back out onto the floor after a glass of something grapey, I allowed myself to revel in the beauty surrounding me. Keeping my eyes on the time, because I wanted to catch the final catwalk one more time so that I could view him...I mean itmore thoroughly this time, with Shari's aesthetic in mind. On the way back, I was mesmerised by the Bogarta stand. Regal, and fit for stately affairs, only thesight of a familiar face could tear me away, and I jumped at the lifeline. Saying hello to Lucy Quartermaine, she informed me that one of my friends was exhibiting a few stands down and, I promised to return and find her after I saw to my needs. Having to make my way backdownstairs (after encountering a Security Guard who suggested I use the stairs when asked for directions); I found the disabledtoilets and cannot write this piece without mentioning the most inconvenient stall I have everencountered in my life - and for once, that's notan exaggeration.
At the point of entry into what also doubles as a mother and baby changing unit, there was some type of strange, hard plasticassemblage exactly head and body height with me in my chair, right at the door to the small toilet. Now, aside from the fact that there is room for one and one only when some disabled users (like myself) need a second person inside with them; this entity at the door made it almost impossible to actually get inside the room, because it blocked the entry. It is placed in the most ridiculous position and can only have been done by an able-bodied person who only thought (and I use that term loosely) from the perspective of someone who doesn't have to considerobstructions in their everyday life.
Back on the main floor, we made our way back upstairs, and went in search of my beautiful friend Maria of Maree London. Interrupting her showing her lovely Mum around the stand, we had a brilliant catch up, before she introduced me to hergorgeous new 'Ether' collection:
My beautiful friend Maria and her gorgeous baubles
After chatting about what's been happening with her work since we heard from one another last, and her recommending I read the compelling bookThe Secret, which I am currently entranced by; we were forced to say our goodbyes. The venue was due to close soon, and I still had an infinite list of brands that I wanted to see after the final catwalk, which we would miss if we didn't hurry back downstairs immediately. Down on the ground floor, we were almost in front of the catwalk space when I noticed an adorable little girl sitting on a bench in floods of tears. My conscience refusing to allow me to go further without checking if she was alright, I stopped and asked her if she was okay, to which she replied that she had lost her Mummy. Springing into responsible Aunty mode, I asked her and her mother's names, whilst my Carer noticed a security guard ahead of us, about toturn a corner.
Speeding after him as fast as my chair would allow, I left the little beauty with my Carer whilst I got his attention. Explaining the situation to him, he hurried back with me to give a report to his colleagues. On our return, little cutie indicated that she was wearing a wristband with her mother's name and phone number. Working as an impromptu team whilst the catwalk beganbehind me, the security guard continued on his radio, whilst I began calling the number on her wristband. After the sixth call with no answer, I finally got a brusque callback that changed to grateful once I explained that I had found her daughter. Directing her to where we were, I informed the sweet, pretty young thing that her Mummy was on the way, and the weighty teardrops halted almost immediately.
Trying to distract her until her mother arrived, we discussed the books in her hands. She informed us that her Mummy had her sit there with them to occupy her whilst she went to look at stands! Shocked that a mother would actually leave her gorgeous young daughter of 8 years oldalone in such a huge, packed out venue, just so she could look at some gems! Keeping my flabbergasted reaction to my eyes only, they met my Carer's over her head and mirrored what my own must have been saying. The security guard asked her how long her mother had been gone; after mulling the question over in her little mind for a few moments, she came back with "Mmmm...About...three minutes." With a look of intense contemplation on her face. The severity of the situation prevented the laughter that wanted to follow such an innocent faux pas.
My phone rang again, and it was the mother saying that she couldn't find us, despite my directions and her daughter's quite right refusal to move from where her Mummy left her, when suddenly, up little cutie jumps and hurtles at full speed over to a young, beautiful woman, hugging her for dear life. Mother and daughter reunited, good deed done for the day and on we went to watch the remainder of the show, right after pretty young thing ran back over to me, all huge smiles, eyes shining bright, with a bounce in her step, to thank me - I couldn't help but smile.
Back to my own mission, and I moved into place to catch what was left of the catwalk on camera:
After waving a mental farewell to my 13-minute, imaginary boyfriend, it was time to take in the stands for the rest of the show's opening time, if I could make it that long. The ugly pains and evil wooziness had begun to creep back in, and not just because I had to pass rather large gems that I couldn't take home with me. Remembering that there was a designer I had promised to come back to, we headed back upstairs to the stand for John Moore Jewellery, one of the Editor's Choice Winners. I had been borderline hypnotised by the most architecturally interesting piece of jewellery that I think I have ever seen, and I just had to learn more about it. Hoping not to offend, I told Moore that his piece reminded me of a slinky, the childhood toy that so many of us without stairs in our homes failed to take in the simple joy afforded by it; only to be told that that was part of the initial inspiration! I felt like I had just won a game of Blockbusters...
John Moore's neck slinky...if you can get it down that far
Insistent that I try the necklace on, I ran out of excuses of why I shouldn't touch the object that saw replicas start at around £5,000 - Mama didn't raise no fool, I learned from the jewellery atelier visit in Amsterdam she took me on when I was 7 years old; where the salesman let me hold what was then, the world's biggest diamond, which I promptly dropped on the glass caseby accident, and had everyone in the room on the verge of a heart attack, not least my poor Mother, who instantly began going grey. Placing the necklace over my head and guiding it downward, it got as far as my mouth in the front, and the back of my skull, when the elasticity got as forgiving as it was going to be, and Moore promptly said: "I underestimated how big your hair was in the back..." on my particularlyflathair day...
Now returned from the Ladies room, my Carer had to help the eager designer detangle it from my hair and subsequently my personage. Still conversing all the while, she could hold her tongue no longer and simply had to butt in to remove the plum-coloured pinstripes that began at my lips and rose to my hairline, further proving just how stuck the necklace got around me. Stating: "Oh yes, I had noticed that," Moore was saved only by his immense talents...and the fact that there was a heavy security presence in the building. Too nice not to be forgiven, we conversed some more, and I talked being a part of my planned new feature, to which he readily agreed - so look out for that in the coming months.
Before we knew it, the announcement came that the venue was now closed, show over, and I had yet to snap the stand of my favourite nominee for the National Association of Jeweller's Designer of the Year 2016 as promised. Whizzing back to Lucy Quartermaine's stand, I got my fill of wonderment, including her 'Icicle' collection included in IJL's Designer Brands for 2016, among other breathtaking creations. Having a quick catch up with the blonde beauty as she and her staff packed up, I learned that she was shortly headed overseas for another show, but we agreed to talk future coverage on her return, so I'll be dropping her a line soon.
Lucy Q proved why she's a nominee for the NAJ Designer of the Year 2016...
With that I saw a burly, and hungry-looking security guard headed my way. Not one to keep a man from his evening tea...and because I wasslightly frightened, I sped in the opposite direction and found myself at the lift before he caught up with us. About to break my camera down, I came across the shiny Sokolov stand and justhadto grab a few snaps from there before I did.
Sokolov Filigree to die for...
Before I could be overruled by anymore of my magpie tendencies, the aforementioned pain returned, particularly in my legs, and reminded me that it was really time to get on my way.
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That's allfor this year folx, but be sure to check out the event photo album which will be up on the ESintheP Facebook Pagethis weekend. I hadaimed to have it for you today, but having only just gotten my new computer sorted, I only just learned that my usual editing software has been discontinued (there were screams), so I shall get to grips with my new one and have a plethora of albums (well, 3 hopefully) for you to look through by then. PLEASE Forgive me, but I am only one humble human!
On that note, I shall be back later with the first part of my London Fashion Week series - WearItWednesday it NOT over!
Until the next...
ES
All photos courtesy of EricaSharlette of EricaSharlette Promotions Ltd.
IJL 2016 has announced the five Bright Young Gems selected to show at this year’s event. Now in its eleventh year, this initiative is recognised by the industry as one of the leading commercial opportunities for emerging designers, providing these talented young designers with an outstanding commercial platform and excellent exposure.
These emerging stars of the contemporary jewellery world are selected from final year students at colleges and universities across the UK by a prestigious panel – comprising Hilary Alexander, OBE: Editor at Large Hello! Fashion Monthly Magazine, Vivienne Becker: jewellery historian and Contributing Editor to the Financial Times - How To Spend It Magazine, Claudia Mahoney: Executive Fashion and Beauty Director of Glamour, Annabel Davidson: Editor of Vanity Fair on Jewellery and, for the first time, Shaun Leane, British luxury Fine Jewellery Designer. All were very impressed with the high standard and diversity of work presented, with competition so fierce that two additional designers were named as Highly Commended by the judges.
“This year’s Bright Young Gems have been distinguished by a considerable degree of technical virtuosity, allied to an innovative approach to high-tech and traditional materials. The winning submissions each display the thorough knowledge of the jeweller’s craft with exceptional creativity. It is young jewellers such as these 2016 Bright Young Gems who are helping to ensure the future of the industry”, explains Hilary Alexander OBE, Editor-at-Large, Hello! Fashion Monthly.
Shaun Leane adds: “Platforms such as Bright Young Gems are essential. They allow our flourishing young designers to grow in all areas of their careers. It is so important that we nurture their talents and aspirations as they are the future."
Claire Price, Course Director BA (Hons) Jewellery and Silversmithing – Design for Industry, Birmingham City University, also observes: “For recent graduates to gain exposure at International Jewellery London is fantastic and such a valuable opportunity. It is significant for them to show their work to a wider audience, receiving recognition at this level and making contacts to launch their careers. This platform makes a huge impact on our graduates, whilst providing retailers with innovative products - all shaping the future of the industry.”
Sam Willoughby, Event Director, concludes: “To date this initiative has introduced 55 talented young designers to the industry. It is so rewarding to be able to provide them with their first commercial platform to showcase their work to such an influential audience. Our thanks go to all the universities and colleges who have helped make this possible, our judges who invest an enormous amount of time in making their choices and, of course, our visitors to the show. This year we welcome the support of the National Association of Jewellers. Good luck to our chosen five – have a great show!”
This year’s Bright Young Gems are:
Talisa Bergen
Talisa recently graduated in Jewellery Design at Central Saint Martins. Her final collection addresses current socio-political issues from her home country, Turkey. Juxtaposing ancient symbols of Turkish cultural identity with humour, she creates surreal narratives which echo the political climate in a more accessible light and aim to intrigue and engage the wearer. Each piece is based on a different incident and tells an individual tale. Talisa uses wax carving and enamelling, incorporating precious metals and stones in her work.
Talisa Bergen
“I am thrilled to be chosen for Bright Young Gems, it truly feels like the big first step in my career. I am looking forward to getting to know people from all different areas of the industry and being in a professional environment like IJL.”
Katy Tromans
Katy Tromans completed an Art and Design Foundation in her home town of Stourbridge, and has recently graduated from the Birmingham City University School of Jewellery. She creates highly detailed, narrative jewellery based on stories. Her jewellery is functional and wearable, and when not worn becomes an objet d'art. The hero pieces of her collections are very decorative - precious metal rings which become a part of a sculptural stand. Inspired by these pieces, Katy produces more commercial affordable, but just as detailed, pieces of jewellery.
Katy Tromans
“I am so excited to be selected as a Bright Young Gem this year and have the opportunity to showcase my work at such a prestigious event as IJL. To be able to talk to and grasp the advice of experienced business people and tradesmen, as well as gain an in-depth amount of knowledge to improve my own branding and business, is a superb opportunity IJL is a fantastic environment for new and upcoming designers to be a part.”
Stephanie Wills
Stephanie has just graduated from further study at Birmingham City University in Design for Industry. Stephanie uses her background in 3D Design to create mechanical jewellery in precious metals and gemstones. The inspiration behind her Concealed Jewellery series comes from looking at repeating patterns and structures, an aesthetic derived from looking at repeating Spirograph patterns, to then construct pieces of detailed decorative jewellery. These change through moving mechanisms within each piece, creating versatile kinetic jewellery that can be worn in many different ways.
Stephanie Wills
“I am so grateful to have been selected as a Bright Young Gem. This prestigious award provides me with the opportunity to meet some very inspiring designers and jewellers at IJL. Being able to showcase my collection to them will help to grow my knowledge of the jewellery industry and help to establish my career as a jeweller and designer.”
Rebecca Wilkes
Rebecca Wilkes is a recent graduate of the BA Design for Industry course at the School of Jewellery in Birmingham. Now working as an independent jewellery designer, her current product range exploits the potential of 3D printing, a technology that is impacting on the jewellery industry. Rebecca takes her inspiration from the natural world and translates it into a modern look with the use of 3D printing. Rebecca’s unique collection takes the use of 3D printed nylon to a higher level of quality and exclusivity, as demanded by the jewellery industry
Rebecca Wilkes
“I am delighted to have been selected as a 2016 Bright Young Gem and I am eager to start networking with a wider community of people within the jewellery industry. I look forward to using this prestigious platform to exhibit and discuss the potential of my new collection to those who may help to make my dream a reality. It really is an honour to have been given this opportunity at such an important UK based jewellery trade show.”
Shiyun Chen
Shiyun Chen is an international graduate in Jewellery Design at Central Saint Martins. Her ‘Skin’ Collection, is inspired by the quality of human skin and how it communicates a state of health or illness, evidence of injury, and even embarrassment. She is interested in how these signals affect the skin, and also how they can affect how others perceive us. In her work she translates these effects to create jewellery which is more than purely decorative. Her work uses a variety of colourful gemstones in pieces which reflect the changing nature of skin.
Shiyun Chen
“I am so glad to have been selected as one of the Bright Young Gems this year. IJL is such an important jewellery event and offers me a fantastic opportunity at the start of my career. The show gives me an open platform not just for jewellery design itself, but also a chance to experience the relationship between clients and designers. I look forward to receiving lots of different feedback at this event.”
Highly Commended:
Yoonkyo Bae
Royal College of Art
Tubular Air
Using organza, Yoonkyo creates lightweight volumes through building tubular structures. Properties of the material and the process she has developed - fusing fabric - enable her to make large volumes that are both physically and visually light. Alongside, a translucency of the fabric makes a visual ambiguity which reacts to surrounding colours and lights. Her jewellery collection ‘Tubular Air’ has different ranges: from a small ring for everyday to extravagant arm pieces for occasions.
Yoonkyo Bae - Tubular Air
Stephanie O’Leary
BA Hons Jewellery & Accessories, Middlesex University
Chain Brooch
Drawn to the simplicity and elegance of clean lines in architectural design, Stephanie O’Leary is influenced by geometric structures which jut-out, protrude or extend from the existing ‘frame’ of their environment. Specifically scaffolding, cranes and power lines. By focussing on an element of movement, Stephanie uses universal hinges and industrial materials to create kinetic urban structures, which mimic the minimalist and fragmented aesthetic of London.
Stephanie O'Leary - Chain Brooch
This year’s participating universities and colleges include Birmingham City University - School of Jewellery, Central Saint Martins, Edinburgh College of Art, Middlesex University, Royal College of Art, The Cass - London Metropolitan University, University of Lincoln, University for the Creative Arts.
